Bill C-11, the Copyright Modernization Act, with a few exceptions, is now law with the publication of the Governor General Order in Council. The fourth attempt to amend the Copyright Act since 2005 succeeded where Bills C-60 (2005), C-61 (2008), and C-32 (2010) did not.
A lot has changed since 2005 when Bill C-60 was first introduced. That Bill would have made a limited, but important, set of amendments. Its summary reminds us that it would have amended the “Copyright Act to implement the provisions of the WIPO Copyright Treaty and the WIPO Performances and Phonograms Treaty, to clarify the liability of network service providers, to facilitate technology-enhanced learning and interlibrary loans, and to update certain other provisions of the Act.” Bill C-11 addresses far more than this.
When Bill C-60 was first introduced in 2005, Canada’s main trading partners had already modernized their copyright laws. The United States had passed the DMCA. Australia had adopted legislation similar to Bill C-60. The European Union had enacted the Copyright or InfoSoc Directive and the Electronic Commerce Directive. These continent-wide laws addressed, among other things, WIPO Treaty-required measures such as legal protection for technological measures (TPMs), as well as safe harbors for internet intermediaries. The EU directives went further than Bill C-60. They created exemptions for reverse engineering of computer programs for interoperability purposes, and making temporary copies of works as part of technical processes. These exemptions are now in Bill C-11. They also permitted certain private copying of digital works in exchange for levies paid to rights holders.
The EU directives also went further than Bill C-60 by enabling courts to make orders requiring ISPs to block pirate web sites. This power has been used extensively in the EU to block pirate sites like the Pirate Bay in order to protect domestic markets from these “wealth destroyers”.
While Canada was studying reforming our laws after Bill C-60 died, countries which had already dealt with these “first generation issues” moved ahead to the next generation of legal reforms to address the evolving digital landscape. For example, Japan amended its laws to create strong criminal penalties for copyright piracy. France, New Zealand, UK and South Korea enacted graduated response legislation to promote the legal purchase of creative products and services and to discourage online file sharing.
The EU, which has had a de facto notice and takedown regime for over a decade, launched a study to develop a uniform notice and action procedure for illegal content hosted by online intermediaries. In January, the EU Commission announced an initiative on “notice-and-action” procedures, and in June, it launched a public consultation on such procedures. In July, the EU Commission published a proposed directive on collective management of copyright and related rights in music. Last month, the Council adopted a directive on orphan works. France and Germany are both considering laws to require search engines like Google to compensate publishers for caching, indexing and making headlines and snippets of news articles available such as through Google News. In the UK, the Hargreaves Review of Intellectual Property and Growth made numerous recommendations for further changes to address digital issues. The UK Government accepted a number of these recommendations and made broad proposals for an orphan works scheme, extended collective licensing, and a limited private copying exception.
In August, the Australia Law Reform Commission (ALRC) initiated a public consultation on copyright policy with the release of an Issues Paper. The issues being canvassed include expansion of exceptions to enable individuals to make copies for transformative uses, or for social, private or domestic purposes. Ireland has now completed an extensive public consultation conducted by its Copyright Review Committee. A report is expected by the end of this year. China is also in the process of modernizing its copyright laws.
Today, with the Copyright Modernization Act now law, depending on the issue and country or territory, we find ourselves at par with, in front of, or often behind, our trading partners in dealing with the challenges posed by digital technologies. A complete analysis of the similarities and differences would be a large undertaking. However, at a high level (and without considering the differences and nuances of drafting), some observations follow here.
One of the first objectives behind our four copyright bills was to enact legislation required for Canada to ratify the WIPO Treaties. The treaties require this to include, among other things, adequate legal protection and effective legal remedies against the circumvention of TPMs and protection for rights management information. Bill C-11 meets the requirements of the treaties for these rights and its implementation methodology is consistent with those of our major trading partners, including member states of the EU, the US, and Australia. Bill C-11 also includes amendments intended to implement the requirements for the rights of making available and distribution under the treaties.
The international treaties do not prescribe minimum standards for exceptions for internet intermediaries. In the EU, three categories of exceptions are explicitly mandated: a network service exception, an exception for hosts, and a caching exception. The US DMCA has the same categories of exceptions, as well as an exception covering certain activities of search engines. Under Bill C-11, Canada has the same four categories of exceptions, although the wording and conditions associated with each may differ. For example, unlike the US, Canada did not enact a formal notice and takedown regime. On the other hand, as in the EU, the internet intermediary exceptions are intended to apply only to neutral intermediaries and not to a service provider who, for example, is culpable in the infringement including a provider that primarily enables infringement (such as an intermediary who is liable under the new enablement cause of action in Section 27(2.3) of the Act). Unlike in the EU, Bill C-11 contains no express provisions entitling rights holders to obtain orders blocking foreign pirate web sites like the Pirate Bay.
Unlike the US, Canada will have a statutorily-mandated notice and notice regime (once the regulations are established) intended to stem unlicensed file sharing over peer-to-peer networks. In the US, the leading ISPs and creative industries have cooperated to develop a voluntary notice regime under the Center for Copyright Information (CCI), that unlike the bare minimum prescription in Bill C-11, contains escalating provisions intended to educate and curb file sharing by repeat infringers. Canada did not adopt a form of graduated response that has the proven effect of increasing legitimate sales of cultural products and services such as France’s HADOPI.
As well, the international treaties provide no uniform list of exceptions to exclusive rights that would apply in digital environments. The scope of possible exceptions and limitations to exclusive rights are constrained by the conventions and treaties to which countries like Canada are a party, such as the Berne Convention, TRIPs, NAFTA, the WIPO Treaties, and the Rome Convention. The most important of these international constraints on exceptions and limitations is the Three Step Test.
The Copyright Modernization Act creates an unprecedented breadth of the new exceptions. For example, and to my knowledge, no country has a copyright law that expressly exempts: format and time shifting of any works including onto devices or a cloud for personal use and without levies; creating and disseminating user generated content for non-commercial purposes; fair dealing for educational purposes without express limitations on the users, the categories of use, or associated conditions; broad rights of educational institutions to make copies of publicly available materials (PAM); and reverse engineering for encryption research and security testing. Some countries may have one or more of these exceptions, usually, however, in a much narrower form. Most have none. Some are studying whether to expand their laws to cover some of these. Some of the exceptions, such as for making and disseminating user generated content (UGC), are without precedent anywhere. Individually and cumulatively the exceptions in Bill C-11 could prompt questions about Canada’s compliance with international obligations.
A lot has also happened since 2005 in the dialogues about copyright. Opponents of copyright now strenuously lobby to thwart meaningful changes to the law that might interfere with free and uncompensated use of copyrighted materials. Self-proclaimed internet and “free culture” advocates increasingly use a playbook of tools, including social media, to spread highly emotive messages in order to turn public opinion. Moreover, some major technology companies and their industry organizations are now publicly advocating for freer or totally uncompensated uses of copyright materials claiming that copyrights stifle innovation in digital services. This has led to vigorous rejoinders by representatives of the cultural community who cite these desired uses as a “Free Ride” that hurts creators and stifles investment and innovation in the creation and dissemination of cultural products. ACTA was a casualty of these developments as was the US legislation known as SOPA.
The Internet activist playbook was brought to Canada during the copyright reform process. For example, Michael Geist, who has been held out as a poster child for Internet activists, the Canadian Coalition for Electronic Rights (CCER), and others used the playbook to actively promote eviscerated legal protection for TPMs that would have prevented Canada from meeting its obligations under the WIPO Treaties. In the case of the CCER, which actively tried to game the 2009 copyright consultations to gut legal protection for TPMs, it was presumably so that its members could continue to distribute devices that would enable individuals to illegally download and use pirated copies of video game software and other products. It was also used to press for amendments to the format and time shifting exemptions to enable individuals to legally hack and copy copyright content protected by TPMs. The proposals would have undermined the government’s policy of encouraging innovation in digital products and services beneficial to consumers and the public at large. The playbook was also used to try and dissuade the Government from making technical amendments to the wording of the new enablement provision so that it could be useful against its intended targets, pirate sites and services like isoHunt. The government refused to give effect to these positions in spite of the full playbook monty.
Today, as the Copyright Modernization Act comes into force, Canada ends one chapter of reform to bring Canada’s copyright laws into the digital age. It took Canada a long time to get here. In that time a lot has changed. Given the inexorable changes in technology and the experiences of our trading partners, we can expect the need for more reforms sooner rather than later.
For more information about the Copyright Modernization Act or Bill C-11 or copyright reform, see the following blog posts.
Notice and Notice Regime under C-11 Coming into Force, June 17, 2014
Copyright Bill C-11 Passes Senate and Given Royal Asset (Update), June 29, 2012
Canada Ratifying WIPO Internet Treaties, May 24, 2014
Combating Counterfeit Products Act Before Standing Committee, November 5, 2013
Private Copying Levy on Death Row, September 3, 2013
Fair Use for Australia? A Report From the Kernochan Centre, May 6, 2013
Copyright Law 2012: The Year in Review in Canada and Around the World, January 11, 2013
Copyright Board to Construe the Making Available Right, December 7, 2012
Copyright Modernization Act Soon to be Law in Canada, October 30, 2012
Even More on Access Copyright and the Supreme Court: Eviscerated or Not? September 24, 2012
My Remarks to the Senate Committee Studying Bill C-11, June 22, 2012
Bill C-11 ready for Third Reading, March 13, 2012
Michael Geist: A Question of Values, March 12, 2012
Bill C-11 off to Legislative Committee (updated), February 19, 2012
Bill C-11 to be law by April, February 8, 2012
Reining in the Rhetoric on Copyright Reform, February 8, 2012
Legislative Committee for C-11, October 28, 2011
Copyright Bill C-11 Gets Second Reading in the House of Commons, October 19, 2011
Some Observations on Bill C-11: The Copyright Modernization Act, October 3, 2011
Canada Signs ACTA, September 30, 2011
What’s Next for Copyright Reform in Canada? (Update), September 10, 2011
UK Moving Ahead With Graduated Response After Hargreaves Review of IP, August 20, 2011
C-32 Copyright Bill Described in WTO Reports, June 24, 2011
Throne Speech Promises Swift Passage of Copyright Amendments, June 3, 2011
C-32 and the BlackBerry PlayBook: A reply to Michael Geist April 25, 2011Conservative Party Platform on Copyright, April 8, 2011
Rethinking Notice and Notice After C-32, April 4, 2011
C-60, C-61, C-32?, March 25, 2011
C-32 enablement remedy targets secondary copyright infringement February 18, 2011
Margaret Atwood at the Parliamentary Committee on Bill C-32 March 18, 2011
Response to Professor Michael Geit’s Clearing Up the Copyright Confusion, January 9, 2011
Liberals announce proposals to amend Bill C-32 December 16, 2010
An FAQ on TPMs, Copyright and Bill C-32, December 14, 2010
Key issues on the legal protection for TPMs under Bill C-32 December 8, 2010
My C-32 opening remarks to Parliamentary Committee December 1, 2010
Copyright Fiction from Facts About C-32’s TPM Provisions, November 24, 2010
Some observations about the debates on Bill C-32 in the House of Commons November 9, 2010
Turning up the rhetoric on C-32′s TPM provisions October 25, 2010
“Musicians have rights, too”, Maia Davies August 13, 2010
Moore’s Speech on C-32, June 23, 2010
Legends and reality about the 1996 WIPO Treaties in the light of certain comments on Bill C-32 June 17, 2010
Some Thoughts on Bill C-32: An Act to Modernize Canada’s Copyright Laws, June 3, 2010
Geist: “STFU Until You See the Bill”, May 10, 2010
Canada’s New Copyright Bill: What Will It Look Like? May 6, 2010
Canada Called Out For Weak Copyright Laws by IFPI and at the Heritage Committee, April 30, 2010
Graduated response: a least cost solution to reducing online copyright infringement April 26, 2010
Is graduated response necessary to protect human rights from online copyright infringement? April 19, 2010
The costs and benefits of graduated response in copyright enforcement February 1, 2010
Analysis of the Canadian Copyright Consultations: What Are The Implications? April 21, 2010
Levy Debate Sparks Impassioned Pleas in Parliament for Copyright Reform, April 15, 2010
The Speech from the Throne: A Digital Strategy and IP Reform, March 4, 2010
Reflections on the Liberal Roundtable on the Digital Economy, February 17, 2010
How Can Copyright Reform Best Balance the Rights of Creators, Intermediaries and Users? February 11, 2010
Graduated Response and Copyright: An Idea That is Right for the Times, January 20, 2010
Dr. Fiscor is Right; Prof. Geist is Wrong About the WIPO Internet Treaties, December 23, 2009
Dr. Ficsor: An invitation to Canada to join the international community by ratifying the WIPO Internet Treaties December 21, 2009
Launches Consultations on Copyright Exceptions, December 13, 2009
Lord Mandelson Speech Transcript on P2P Copyright and Creative Industries, November 11, 2009
Copyright Reform in Canada-Woodrow Wilson International Center for Scholars, September 25, 2009
What Happens When Copyright Goes Digital, August 6, 2009
Bill C-61 A Presentation for ITAC, February 23, 2009
Proposed Canadian Copyright Reform – Bill C-61, July 16, 2008
* Amended
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