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Redefining copyright in the digital era

Here is a copy of the article with the above title published in the January 20, 2012 edition of The Lawyers Weekly.

In early December, copyright lawyers from across the country descended on the Supreme Court to participate in a cluster of cases that may redefine the scope of copyright in the digital era.

The first case heard, ESA v. SOCAN, put the question directly to the court of how the bundle of rights set out in s. 3 of the Copyright Act ought to be construed in the case of downloads of files containing musical works. …

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ASCAP case highlights differences in Canadian and US copyright law

The influential US Court of Appeals for the Second Circuit ruled in ASCAP v RealNetworks that a download of a musical work is not a public performance under the US Copyright Act. According to the Court downloads of musical works are not musical performances that are contemporaneously perceived by the listener.

“They are simply transfers of electronic files containing digital copies from an on-line server to a local hard drive. The downloaded songs are not performed in any perceptible manner during the transfers; the user must take some further action to play the songs after they are downloaded.

…

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UK copyright caselaw update: the Lucasfilm, BT, ITV and Meltwater cases

Is a stormtrooper’s helmet a sculpture protected by copyright? Can a defendant living in the UK be sued for infringing the US Copyright Act in the UK? Can an ISP be forced to block a foreign website whose services are being used to download infringing TV programmes and movies? Does Internet streaming of television programming without permission infringe the communication to the public right? Does temporary buffering to deliver streams of film and TV programming infringe the reproduction right? Does offering an online news clipping service which involves copying headlines and short extracts of articles infringe copyright?…

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Google’s search service exonerated from copyright liability by a French court

When Google searches the web and indexes and caches and makes thumbnail copies of visual works available to the public, is it liable for copyright infringement? Also, which country’s copyright laws apply to determining Google’s liability? Is it US law where much of the indexing and caching take place and from where Google transmits thumbnails and links to original works of art to the public? Or is it the place where the thumbnails are viewed (or communicated to)?

These issues were considered by the Paris Court of Appeal in the La société Des Auteurs des Arts Visuels et de L’image Fixe Visual Auteurs (SAIF) v Google France S.A.R.L.…

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